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Discovered in Cueva de las Manos in Santa Cruz, Argentina.
As you can see from this ancient cave painting dating back who knows how many thousands of years, even at the beginning of civilization the human mind craved creative expression and immortality.
Was this due purely to some dastardly mutations of the DNA, a spontaneous sizzle of electrical sparks in a developing cortex, an inspiration from a loving God who chose to reveal himself, or a combination of similar random spiritual and physical events?
Probably none of the above, but rather some other reason that we will never understand.



When the film 'Deep Throat' came out, I must confess that I was a little disappointed. I had collected up enough courage and finally went to see it with my SAE fraternity brothers pushing each other nervously like a bunch of macho twits. I even had my leather cowboy hat and sunglasses on as part of the erotic celebration of boys coming of age in the seventies. And don't forget the fifth of good old Jim Beam whose purpose was to make things better than they really were or seemed.
Sure it seems to represent a bunch of buildings of various shapes and configurations. Notice how the arrows seem to be pointing somewhere, but not really anywhere special. Various directions to the right and to the left but all of them aiming upwards. At the top of the drawing, the sun and the moon are prominent, but not overly so. Some might say that the tallness exudes some form of erotic motion, that being the longing part of the painting. But I am not so sure that I agree. It is not an exaggerated form of longing in the physical sense of things, but rather a slightly spiritual inclination. Maybe even a soft mixture of the body and the mind melting into each other. Note the yellowish and dreamy colors. That reddish fog smeared across the bottom of the scene. A longing in the religious manner which forms the platform, the structure, those pointing buildings, which define our very nature. In some ways not directly visible, but in a creative urge to attempt to define and/or describe that which does not lend itself very easily to such a process. Just a bunch of buildings around a temple and that's all.
There is this wonderful painting to which I have always felt a special intuitive attraction, and it has been hanging in our house since the first day we moved here. Everyone says the same thing the first time they see it. Politely, as if they are knowledgeable and I am a sorry ignoramus they tell me, "I think you hung that painting upside down." Whenever I try to explain to them that that is how it is supposed to be, that in fact the title of this famous work by Joan Miro is called "Upside Down Figures" they just shake their heads back and forth as if I am crazy. Strange how people often think that they know things better while at the same time they are being limited in their openness for new and creative ideas. Too bad for them. I will leave the painting just as it is and was always meant to be.
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