I cannot wait to see the new movie by Sacha Baron Cohen.
This comedian is truly an amazing artist, and he certainly proves this with his third character which as usual he portrays convincingly, daring the public and challenging us with essential questions we'd rather ignore.
I find it very interesting how upset everyone gets, mostly for the wrong reasons. In their ignorance, these poor souls take things literally. Paranoia causes panic and off they go again for yet another meaningless witch hunt.
Let's avoid being confronted by our inner selves and instead take the easy route to stoning someone else to death.
Vulgarity, rudeness and harsh sexual jokes have been an essential part of comedy every since the very beginning of time. Ancient literature, Greek comedy, French theater of the Middle Ages, etc. Look at the classic "Gargantua and Pantagruel" which is full of pissing, farting, shitting, voluptuous boobs, etc. all over the place.
Why should things be different in this so-called modern day and age? People are by nature quite stupid and have got it all so very wrong.
May God forgive us all and someday save us from all this sin.


When the film 'Deep Throat' came out, I must confess that I was a little disappointed. I had collected up enough courage and finally went to see it with my SAE fraternity brothers pushing each other nervously like a bunch of macho twits. I even had my leather cowboy hat and sunglasses on as part of the erotic celebration of boys coming of age in the seventies. And don't forget the fifth of good old Jim Beam whose purpose was to make things better than they really were or seemed.
Sure it seems to represent a bunch of buildings of various shapes and configurations. Notice how the arrows seem to be pointing somewhere, but not really anywhere special. Various directions to the right and to the left but all of them aiming upwards. At the top of the drawing, the sun and the moon are prominent, but not overly so. Some might say that the tallness exudes some form of erotic motion, that being the longing part of the painting. But I am not so sure that I agree. It is not an exaggerated form of longing in the physical sense of things, but rather a slightly spiritual inclination. Maybe even a soft mixture of the body and the mind melting into each other. Note the yellowish and dreamy colors. That reddish fog smeared across the bottom of the scene. A longing in the religious manner which forms the platform, the structure, those pointing buildings, which define our very nature. In some ways not directly visible, but in a creative urge to attempt to define and/or describe that which does not lend itself very easily to such a process. Just a bunch of buildings around a temple and that's all.
There is this wonderful painting to which I have always felt a special intuitive attraction, and it has been hanging in our house since the first day we moved here. Everyone says the same thing the first time they see it. Politely, as if they are knowledgeable and I am a sorry ignoramus they tell me, "I think you hung that painting upside down." Whenever I try to explain to them that that is how it is supposed to be, that in fact the title of this famous work by Joan Miro is called "Upside Down Figures" they just shake their heads back and forth as if I am crazy. Strange how people often think that they know things better while at the same time they are being limited in their openness for new and creative ideas. Too bad for them. I will leave the painting just as it is and was always meant to be.


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